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For a movie to pass the Bechdel test, it has to have two named women characters in it who talk to each other about something other than a man. The entertainment industry is always changing, but not fast enough for my taste. But in an increasingly diverse world where women are no longer limited to three occupations mother, wife, cook and one skin tone, the media is being forced to portray real people. And it is still failing to do so.
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Theatre review: ‘Sexy Lamp’, by Katie Arnstein

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Sexy Lamp Test - Fanlore

If a female role could be replaced by an item of otherwise alluring lighting without changing the story, it has failed the Sexy Lamp Test. Complete with charming, informal conversation, pitch-perfect impressions, and very good ukulele songs, Arnstein delivers a show that is thoroughly inspired by — and part of — the ongoing MeToo movement. The writing is sharp and fresh, and the work as a whole is inquisitive, analytical, contemplative; significant. Indeed, in her personal account of her story working in the industry she clearly loves, Arnstein presents us with scenes and experiences that far too many women will be able to recognise as having seen or experienced themselves. Rather, this play is in many ways a rebellion against what has come before and a rallying cry against the old, sexist, world-order. Perhaps most poignantly, there is a beautiful example of the power of solidarity that exists between people as the show reaches its conclusion — that provides a case study in how to stop perverts and harassers in their tracks, and lifts the whole scale of the performance to an extremely moving end.
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“Sexy Lamp Test” more accurate evaluation of female characterization

Named after the test pioneered by Kelly Sue DeConnick, Katie Arnstein's Sexy Lamp is a play for our times, a one-woman show about sexism in the entertainment industry. DeConnick's theory is a simple one, that posits: 'If you can take out a female character and replace her with a sexy lamp', then you are, in bold capital letters, 'a fucking hack'. Arnstein's play begins with her wearing a lampshade over her head whilst silently revealing a series of cue cards, suggesting something with a confrontational but postmodern streak might await. Instead, Sexy Lamp is Arnstein's own account of her journey as an actor she's rightfully not interested in being referred to as an 'actress' , from early exposure to the Wizard of Oz , through to drama school, then her first agent and auditions in London.
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The Sexy Lamp test. This is a moratorium on all such tragedy films with tragic endings for at least the next years at which point there will be a review to determine if mainstream media has EARNED it. The homophobic tropes born from the Hays code are pervasive in media today. The test was created to address the issue that not all representation is the same for all women. To address that what is cliche and mediocre for a white female character might actually be amazing for a Japanese female character.
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  •   Tenris November 11, 2019
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